In Development

In Development

You Should See What an Experienced Surgeon Can Do to a Woman's Pussy

The films of Martin Scorsese across genders and bodies

Drew Burnett Gregory's avatar
Drew Burnett Gregory
Feb 16, 2026
∙ Paid

As far back as I can remember I always wanted to be a woman. (Cue “Rags to Riches” by Tony Bennett.) Growing up in the 2000s, this is how I understood my desire. Transgender, transsexual, cross-dressing, sex change — these concepts hovered around the culture as mere tabloid fodder. They were not aspirational. They were not ways to understand oneself. I was not a girl born in the wrong body. I was a boy. But I was a boy who didn’t understand other boys, who struggled to imagine a future where I’d become a man. When I considered a possible adulthood, only one label made sense to me: filmmaker.

In seeking inspiration for that chosen gender, I found a kindred spirit in Martin Scorsese. I’m not suggesting that being 5’4, asthmatic, and Catholic is the same as being a closeted transsexual, but I felt a connection with the way Scorsese seemed to be viewing masculinity from both outside and within. Among the male-dominated canon of mainstream cinema, his work held a unique sort of curiosity and critique. His films seemed to ask, why are men like this? And, more importantly, am I doomed to be like this too?

Scorsese talks about watching many of his favorite Italian films for the first time edited and dubbed on his small family TV. I watched many of his films for the first time under a similar compromise. Before I was allowed to see R-rated movies, I watched TV edits with the swear words erased and the violence dulled. But like those butchered Italian films, his cinema couldn’t be softened. I became obsessed with his films and the older films he’d recommend. I woke up in the middle of the night to watch poorly timed movies on cable and I begged my parents for DVDs of the deep cuts. When my dad said I couldn’t watch Taxi Driver until I was 14, I watched Alice Doesn’t Live Here Anymore instead. It wasn’t the violence or the cursing I wanted. It was the love of cinema. It was the portraits of people who felt like outsiders, who had desires they didn’t understand and ambitions they would do anything to achieve.

User's avatar

Continue reading this post for free, courtesy of Drew Burnett Gregory.

Or purchase a paid subscription.
© 2026 Drew Burnett Gregory · Privacy ∙ Terms ∙ Collection notice
Start your SubstackGet the app
Substack is the home for great culture